Current Projects brings together new work under a shared sensibility. After a 24-year break, I've returned to film — a slower medium that has reshaped how I work in both film and digital. Film offers no instant feedback, no firing off dozens of frames. Each image is a decision. That discipline — the slowing down, the heightened attention — now runs through all of my work.
Whether photographing a storefront at night, a blank wall in shadow, or a brutalist structure reduced to geometry, the approach is the same: observe rather than intervene. Wait for the stillness. Let the space speak.
Though these galleries explore different themes — from architecture to abstraction, from fleeting street scenes to solitary nightscapes — they are united by a shared sensibility. The work resists spectacle. It rewards patience. It asks the viewer to slow down and notice the beauty, humor, melancholy, and quiet strangeness that often hides in plain sight.
The city, after all, is usually defined by motion and noise. But what if we see it differently? What if we treat it not as something to rush through, but something to witness?
These images are an answer to that question. They capture not the chaos of urban life, but its pauses — its quieter, more contemplative moments. And in doing so, they suggest that meaning often lives not in the obvious, but in the overlooked.